Boris Sandler Celebrates His 75th Anniversary

Boris Sandler Celebrates His 75th Anniversary

Boris Sandler Celebrates His 75th Anniversary

On May 22, 2025, New York’s Florence Gould Theater presented a concert dedicated to the 75th birthday of the award-winning Yiddish writer Boris Sandler, and to the 45-year anniversary of his writing career. The festive evening titled “Mit Yidish Ibern Lebn: A Lifetime of Yiddish” featured performances by the world renowned pianist Evgeny Kissin with two soprano singers, Susanna Phillips and Ekaterina Kapchits, in the world premiere of the vocal cycle for children “Shterndlekh mit mandlen” (Stars with Almonds). Other participants included the violin virtuoso Efim Zubritsky with Zisl Slepovitch’s Klezmer Trio, the actors Yelena Shmulenson with Allen Lewis Rickman, and others. The evening of songs, poetry and dramatic readings was hosted by the actor and playwright Shane Baker, the executive director of the Congress for Jewish Culture and one of the most prominent Yiddish activists in New York.

The founder of our project, Dr. Mark Zilberquit, also attended the concert. The anniversary’s star, Boris Sandler, wishes the best of luck in our activities of promoting Yiddish culture.

Sandler, who authored about two dozens of poetry and prose books, is himself no stranger to music. Born in 1950 in the Moldovan city of Bălți (known in Yiddish as Belts), he studied music at a conservatory and worked for a decade as a professional violinist. In 1981 he became one of the first Yiddish writers and poets to study Yiddish literature on a professional level at the Higher Literary Courses of the Gorky Institute in Moscow. Since 1998 he served as the head the Forverts, the world’s oldest Yiddish newspaper based in New York. Since 2017, Sandler, who remains one of today’s most prolific Yiddish writers, has been running the online literary magazine Yiddish Branzhe.

Previously Unknown Beregovsky Book Published

Previously Unknown Beregovsky Book Published

Previously Unknown Beregovsky Book Published

Dr. Mark Zilberquit holding the new Beregovsky book

Muzyka, one of the largest, oldest and most authoritative publishing houses in the world specializing in classical music, has published in Moscow a new academic bilingual Russian-Yiddish book – Moisey Beregovsky: Essays on the History of Yiddish Folk Music.

The book is based on a manuscript by the famous musicologist and folklorist Moisey Beregovsky previously unknown even in academic circles and discovered by Muzyka’s director, Dr. Mark Zilberquit, the founder of our website and of the Yiddish-promoting Heritage Projects Foundation. Its full text is included and edited according to modern literary Yiddish by Yelena Sarashevskaya, the editor-in-chief of the newspaper Birobidzhaner Shtern, and Yoel Matveyev, the editor-in-chief of our web portal.

This publication is a major result of our project’s activities. The publication of this book was supported by Academician Grigory Roytberg, a renowned philanthropist, Chairman of the Board of Trustees of the Russian Jewish Congress.

As an integral part of this volume, high quality scans of Moisey Beregovsky’s original manuscript are presented in our online library. We are also publicly presenting an electronic version of the book free of charge for strictly personal use.

The commented translation of the manuscript by Evgenia Khazdan and Yoel Matveyev is supplied with Evgenia Khazdan’s and Galina Kopytova’s detailed musicological and historical analysis. Khazdan is a renowned musicologist based in St. Petersburg. Galina Kopytova is a major researcher at the Russian Institute of Art History, where the presented Beregovsky manuscript had been discovered.

The book introduces the reader to the world of Yiddish folk music starting from the middle ages, and provides a new glimpse into Soviet Yiddish research. Moisey Beregovsky, who remains the foremost figure in Yiddish folk music studies, had to face unique difficulties in the troubling times of the post-WWII Stalin’s USSR.

We remind our readers that our website contains a rich repository of other unique materials related to Beregovsky, including Evgenia Khazdan’s Biobibliographic Index, also published by Muzyka in 2023 as another important result of our project’s activities.

Moisey Beregovsky: Essays On The History Of Yiddish Folk Music

Moisey Beregovsky: Essays On The History Of Yiddish Folk Music

Moisey Beregovsky:

Essays on the History of Yiddish Folk Music

Moisey Beregovsky: Essays on the History of Yiddish Folk Music, composed by Evgenia Khazdan, translated and studied by Evgenia Khazdan, Yoel Matveyev, Elena Sarashevskaya, Galina Kopytova. Muzyka Publishers, Moscow, 2025

© Copyright of the authors, publishers and the Heritage Projects Foundation

Seminar on Upcoming Beregovsky Book

Seminar on Upcoming Beregovsky Book

Seminar on Upcoming Beregovsky Book

The upcoming new bilingual Russian-Yiddish academic book Moisey Beregovsky: Essays on the History of Yiddish Folk Music, has been presented on March 25th, 2025, during the interdisciplinary seminar Music in Culture organized by the Russian State Institute of Art Studies. It is scheduled to be printed in mid-April.

The book is based on a previously unknown Beregovsky’s manuscript, included and edited according to modern literary Yiddish, translated and commented, and supplied with detailed musicological and historical analysis.

The discoverer of the manuscript, initiator and organizer of this book’s publishing is Dr. Mark Zilberquit, the director of the Muzyka Publishing House and the founder of our website, which already contains a rich repository of unique materials related to Beregovsky, including Evgenia Khazdan’s Biobibliographic Index.

Follow our news for further details and updates on the book!

Bernstein’s and Pisar’s Kaddish at Carnegie Hall

Bernstein’s and Pisar’s Kaddish at Carnegie Hall

Bernstein’s and Pisar’s Kaddish at Carnegie Hall

Bernstein’s “Kaddish” Symphony, 1/29/2025, Credit: Fadi Kheir.

On January 29, 2025, to commemorate the 80th anniversary of the liberation of Auschwitz, where hundreds of thousands of Yiddish speakers were murdered, Carnegie Hall presented Leonard Bernstein’s choral symphony Kaddish, with the libretto, “A Dialogue with God,” written by Samuel Pisar.

Samuel Pisar (1929 – 2015) was a Jewish Polish-American lawyer, writer and a Holocaust survivor who was sent to as many as six death camps: Majdanek, Bliżyn, Auschwitz, Sachsenhausen, Oranienburg, and Dachau. He stated that the idea to write the libretto came from Bernstein who felt Pisar could bring a more authentic voice to the symphony than he could, not having gone through the Holocaust himself.

Samuel Pisar

Apart from the orchestra, choir and soloist soprano there is also the reader’s part in the symphony’s score; according to Pisar’s will, after his death only his family members would be allowed to perform it. The performance began by the former US secretary of state Antony Blinken who led his mother, Judith, and sister, Leah, on stage to introduce the concert. He shared the story of his late stepfather, Samuel Pisar, and spoke of the importance of remembrance and vigilance in fighting fasсism and antisemitism.

Leonard Bernstein

James Conlon conducted the Orchestra of St. Luke’s, with Judith and Leah Pisar narrating the text. They were joined by the soprano Diana Newman, the Bard Festival Chorale, and the Brooklyn Youth Chorus.

The performance played to a full house and received a lengthy standing ovation, attended by prominent members of the diplomatic community, as well as religious and civil society leaders.

 

Bernstein’s “Kaddish” Symphony, 1/29/2025

Photo credit: Fadi Kheir.