
Yidishland: Issue 24
Yidishland: Issue 24

The Shvesters, a vocal duo who recently began their music career in Detroit, performed several concerts in New York. On August 22 and 25, 2024, the Museum of Jewish Heritage hosted their performances twice, accompanied by the renowned guitarist Omri Bar Giora. On September 17 the duo had a concert at the Altneu, a relatively new Modern Orthodox synagogue launched in Manhattan’s Upper East Side in 2022.
During the last couple of years, the two singers, Chava Levi and Polina Fradkin, gained their reputation on social media for their perfectly synchronized voices and matching outfits, which resulted in a series of successful concerts in the US and Israel. Levi and Fradkin transform classic Yiddish melodies into sophisticated, contemporary harmonic jazz arrangements. As noted by one of their critics, Tel Aviv-based journalist Blake Flayton, “The Shvesters do not just make us want to move our feet to Yiddish; their music makes us long for Yiddish”.
On September 14, 2024, the Merkin Hall of the Kaufman Music Center in New York hosted the concert Sholom Secunda: A 130th Anniversary Spectacular, staring the Swedish singer Idun Carling, the ex-Soviet singer-songwriter Alexander Gorodnitsky, the jazz band of the Grammy-nominated saxophonist Yaacov Mayman, and other prominent musicians.
Sholom Secunda (1894 – 1974) was an American composer of Ukrainian-Jewish descent, known for some of the most popular Yiddish songs, including “Bay mir bistu sheyn“. Although he emigrated from Russia in 1907, his tunes remain well known in post-Soviet countries as well as in the US, where he is considered one of the greatest 20th century composers of New York’s historical Yiddish Theater District.
On September 13, 2024, the official Russian TV channel Bira presented a new episode of its Yiddish-oriented weekly program Yiddishkeit dedicated to the recently published 19th issue of the annual almanac Birobidzhan — a book-sized 260-page journal largely devoted to the 90th anniversary of the Jewish Autonomous Region of Russia, established by the Soviet government in 1934.
The almanac includes a large Yiddish section, featuring historical poetry of Birobidzhan authors and a science fiction story by Yoel Matveyev, a St. Petersburg-based contemporary Yiddish writer. The Russian part contains an anthology of poems about tayga translated from Yiddish. Besides unique and diverse historical materials written in both languages, this year’s issue of the almanac also contains two separate art sections.
On September 14, 2024, the Moscow Shalom Theater began its current season by opening the new exhibition From GOSET to Shalom, dedicated to the contribution of Jewish and Yiddish culture to the development of performing arts in general and to the history of the Soviet state Jewish theater.
The Shalom Theater considers itself a direct heir and successor of the famous GOSET, the Moscow State Jewish Theater directed by Solomon Mikhoels, whose history dates back to 1917, when the Pale of Settlement was abolished, and to 1919, when the first Soviet Jewish theater was established in Petrograd by the Theater Department of the People’s Commissariat of Education.
GOSET was closed in 1949. After a long break, in the fall of 1962, the Moscow Jewish Drama Ensemble (MEDA) was created by the cultural organizarion Mosconcert and Veniamin (Binyomin) Schwarzer became its artistic director. Some of the GOSET artists joined the ensemble. In 1986, MEDA was transformed into the Moscow Jewish Drama Theater Studio, and in 1988 it was given its current name Shalom.
The curators of the exhibition, historian and journalist Evgenia Gershkovich, artist and designer Natalya Shendrik, historian Irina Pekarskaya focus on the bright personalities of the Jewish theater’s directors through the entire period from the original GOSET to Shalom. The directors’ portrait gallery was created by the graphic artist Vladimir Tyan. Tribute is also paid to the actors who dedicated their lives to the Jewish theater. One can see their faces and names in the photographs and videos of Oleg Lipovetsky’s concert performance Shalom 48-23.
In addition, the exhibition presents rare archival materials related to the history of GOSET, including scenery models, posters, Solomon Mikhoels’ desk and armchair, and a full-size copy of Marc Chagall’s panel from the cycle Introduction to the Jewish Theater.
The exhibition’s partners are the Tretyakov Gallery, the Moscow Jewish Museum and Tolerance Center, the Bakhrushin Theatre Museum and the The Comité Marc Chagall (France).
© Photo credit: 2024 Polina Kukushkina. All rights reserved.
Chaim Zanvl Abramowitz (1902 ? – 1995), known as the Ribnitzer Rebbe, is considered one of the greatest 20th century Hasidic leaders, reputed as a miracle worker who maintained an extraordinary ascetic lifestyle. He managed to live a fully Jewish religious life in the USSR; soon after his emigration to Israel in 1970 and a few years later to the United States he became a living legend among Yiddish-speaking American Hasidim. The Ribnitzer Rebbe’s legacy remains a rich source of contemporary Yiddish folklore.