Faust Mindlin

Faust Mindlin

His grandfather, Joseph Mindlin, was an actor and director of Yiddish theaters. With the assistance of Marc Chagall, he created the first Jewish professional workers’ theater in Vitebsk. He also worked as a director and actor of Yiddish theaters in Kiev, Kharkov, Odessa, Smolensk, Baku. After the closure the Odessa Jewish theater, Joseph Mindlin was arrested and sent to the Gulag camps. He died shortly after being released from jail and was posthumously rehabilitated in 1989.

Faust Mindlin’s mother, Rita Gendlina, was a Jewish actress who graduated under the direction of Solomon Mikhoels from the school of the Moscow Jewish Theater School (GOSET). She worked in the theaters of Lvov and Odessa.

In his series of essays, which cover the history of the Odessa Jewish theater from 1917 till 1949, including its descrtuction, Mindlin also reconstructs hitherto unknown historical details of the Jewish theater movement in the Russian Empire of 1879-1917.

Until very recently, he lived and worked in Odessa, until the tragic circumstances of the war in Ukraine forced him to move to America.

 

 

Theater

Yiddish Theater

Yiddish Theater: Beginning

New York at the turn of centuries

Alexander Deytch: Masks of Jewish Theater

Solomon Mikhoels and GOSET

Evgeny Binevich: History of Jewish Theater in Russia

Rosa Kurtz and her long difficult life

Lev Pulver

Sidi Tal

Contemporary performances

Rosa Kurtz

Rosa Kurtz and Her

Long Difficult Life

During its short existence, the Moscow State Jewish Theater (GOSET) gained its fame not only thanks to its genious directors who were also brilliant actors – Mikhoels and Zuskin – but thanks to many other great artistric names as well.

One of them was Rosa Kurtz (1908-2003). Born in the early 20th century into a family of Jewish actors, she herself lived a long and very difficult life as a “wandering star”.

 

 

Rosa Kurtz

Rosa Kurtz received her education at the GOSET theater studio that opened in 1929. In 1931 she joined the GOSET’s troupe and was on the stage of this famous theater up until its closure in 1950. Then she faced difficult years without having work.

The situation was aggravated by the fact that her husband, the lawyer Boris Dranov, who also stemmed from a family of Jewish actors, was bedridden due to a terrible illness. Rosa Kurtz met the ends by making artificial flowers.

In 1961, during the Khrushchev Thaw, Vladimir Shvartser created the Jewish Theater Ensemble and Rosa once again took the stage and began wandering across Russia, often experiencing inconveniences in far away places. At least, the theater work provided her with some income and she had the opportunity to successfully perform with her troupe in front of a Jewish audience – in Yiddish, of course!

In 1978, Rosa Kurtz, after having received the award as a “shock worker of communist labor” (how ironic!), emigrated to the United States with her son and his family. Despite her age, she began to give concerts, playing little scenes from Yiddish performances and singing Yiddish songs. One article in a Houston newspaper, preserved in her family archive, was entirely dedicated to her performances and headlined with huge letters: “The Jewish Theater Comes to Houston.”

 

Here we publish Rosa Kurtz’s memoirs for the first time – with Alexander Dranov’s foreword and afterword.

Planet Called Mikhoels

Planet Called Mikhoels

Solomon Mikhoels and Anastasia Pototskaya (1935)

It is not memoirs that I am writing. I just wish to restore that lively atmosphere on “the planet which is called Mikhoels.”

These are the words Solomon Mikhoels’ wife, Anastasia Pototskaya-Mikhoels, who probably left the most reliable memories of her husband, fragments of which we are planning to publish here in English.

To be continued. Read the full text in Russian or Hebrew

 

The Story of One Drawing

 The Story of One Drawing

Solomon Mikhoels, drawing by an unknown artist

It was the year 1987. After almost ten years of being denied exit visas, Moscow Jews started to emigrate to Israel and America.

My closest friend Mikhail Feinberg, who had received then the permission to leave Russia, called me and asked me to meet him together with his “accomplice” Valentin Pulver, also a refusenik who was going to leave the USSR.

We called Valentin an “accomplice” due to the fact that both he and Mikhail, a highly talented mathematician who would in the future become the creator of unique IT products for telecommunications and cancer treatment methods, during those visa refusal years were repairing people’s cars on the side in order to earn a living. I was also already seriously considering leaving the country, having offered to run a music-oriented publishing company in New Jersey. It turned out that this was precisely what their visit was about.

Mark Zilberquit

To be continued. Read the full text in Russian or Hebrew

Art

Art

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